View My VisualCV Online: http://www.visualcv.com/johnwray

 

The Micros: Episode 1

playbutton

This is the pilot episode of 'The Micros', the smash poker comedy web series I co-created, directed, and co-wrote.

'Seiborg' Music Video

Seiborg Play Button

This is a comedy hip-hop track I Executive Produced for The Micros, and features a tongue-in-check cameo by one of the best poker players in the world, Erik Seidel. 

Disney's Lilo and Stitch

Lilo and Stitch

Click to read "Spike"

Chosen to be Season 2 Premiere

 

Click to read "Ace"

My favorite episode, although it never aired in its entirety.

Lilo & Stitch - "Spike"

One of my favorite scenes from the Season 2 premiere.

Lilo & Stitch - "Skip"

Ten minutes of footage from another episode I wrote.

Award-Winning Indie Animation

'Jaws' in 60 Seconds

Produced over a single weekend as part of a "48 hour film" project.  Currently has more than 1.5 million views on YouTube.

 

Dollsville

Winner of a 2003 "Spotlight" award from the UCLA Department of Film, Television, and Digital Media

Poker Instruction

'Brain Fail' Demo

VisualCV Video

This is a demo clip from Brain Fail Episode 4: Authority Bias.

Theater

The Complete Works of William Shakespeare (Abridged)

The Complete Works of William Shakespeare (Abridged)

NEW TIMES - LOS ANGELES

November 9, 2000 

 

"...the show's versatile heart of improv allows director John Wray's rendition to stand alone, as strong and wild as the trio of players who don wigs and blouses and take on the challenge."
                       

Dutchman

Dutchman

LA WEEKLY

January 17-23, 1997

 

"With simple, imaginative staging, director John Wray breathes new life into Amiri Baraka’s (a.k.a. LeRoi Jones) 33-year-old polemical drama." 

 

Click to read full review by Lovell Estell III

Homesteaders

Homesteaders

BACK STAGE WEST /

DRAMA-LOGUE

October 29 – November 4, 1998

 

"Homesteaders is said to be the first full-scale theatrical presentation here in the Hollywood Athletic Club’s 75-year existence.  John Wray’s cleanly focused staging of Nina Shengold’s play manages to hold its own against the powerful presence of this grand old club."

 

Click to read full review by Polly Warfield